Traditionally known as the Marionette Show, the Puppet Show is a form of opera whose performers manipulate puppets to enact stories. Originating in the Han Dynasty (206 BC-AD 220) and flourishing in the Qing Dynasty (1644-1911), the Puppet Show includes several branches such as the Marionette Show and Glove Puppetry.

Since the founding of People's Republic of China, the performances have expanded beyond the traditional form to include modern plays and even advertising.

Puppet artistry is renowned for its precision and ingenuity, with puppet designs and manipulation mechanisms playing a central role. The sculpting and visual designs of the puppets are especially critical to their artistic expression.

Zhangzhou Glove Puppetry, also known as jingxi, is a form of Marionette Show. Its unique feature lies in the use of fingers and palms to directly manipulate the puppets, enabling detailed, expressive performances. It is known for its impressive martial arts scenes and vivid character portrayals.

With a history spanning over a thousand years, Zhangzhou Glove Puppetry spread to Guangdong province, Taiwan, and Southeast Asia in the late Ming Dynasty (1638-1644). By the mid-Qing Dynasty (1644-1911), it had developed into several distinct schools, which have been passed down to this day.

Glove puppetry in Fujian province and Taiwan share the same cultural roots. Its historical evolution, artistic transmission, and cultural exchange offer significant value for both historical research and the promotion of contemporary cultural identity.